![]() ![]() ![]() Be careful not to create negative letter spacing, where the characters start to overlap one another, this is not very readable. This all removes unseemly gaps that can impede readability and be distracting to the reader. Kerning is when you adjust the white spacing in a proportional font based on character pairs, therefore you would have a strong kerning between a V and A and no kerning between the an S and T. In the example below, when setting at 12 point, the em square defined in the font is scaled to 12 points or 0.17in/4.3mm, yet no particular element of the font need measure exactly 12 points. When specified in typographic sizes, the height of an em-square – an invisible box which is typically a bit larger than the distance from the tallest ascender to the lowest descender – is scaled to equal the specified size. The size of typefaces and fonts is traditionally measured in points the most popular definition is 0.0139in/0.35mm. ![]() In the example below we see the typeface Hermes, which is made up of four fonts: black, bold, regular and thin. The distinction between font and typeface is that a font designates a specific member of a type family such as roman, boldface or italic, while typeface designates a consistent visual appearance or style which can be a “family” of fonts. The term typeface is frequently interchanged with font these terms had more clearly differentiated meanings before the advent of computers. A typeface, in its basic form, is an alphabet of letters, numerals and punctuation marks (how many depends on the designer) it can also include ideograms and other symbols (for example, mathematical or map-making symbols). This may be made up of one weight or many, designed with stylistic unity, each comprising a co-ordinated set of glyphs. Below are some of the common terms used:Ī typeface is a family of fonts. The sixth of our technical/terminology articles. ![]()
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